35 | 2022 – Post-Kemalism and its discontents
In pursuit of post-Kemalism [Full text]
Emmanuel Szurek
À la poursuite du post-kémalisme [Full text]
Emmanuel Szurek
Post-Post-Kemalism: In Search of a New …
Some of the most recent articles from open access anthropology journals (beta)
In pursuit of post-Kemalism [Full text]
Emmanuel Szurek
À la poursuite du post-kémalisme [Full text]
Emmanuel Szurek
Post-Post-Kemalism: In Search of a New …
AntropoWebzin
The aim of the study is to acquaint the reader briefly with the movement of Messianic Judaism in the world and to introduce its specific Czech form in more depth. Based on almost two years of field research in the Messianic community in Prague, the aut…
According to psychoanalysis and the depth psychology, folktales and dreams can be seen as modalities through which the unconscious manifests itself. Using the folktale ATU 510B The Donkey Skin, some theories of folktales are introduced in this paper. A…
The aim of this article is to contribute to debates on the question of objectivity and subjectivity in anthropological research, which has been prominent in academic discourse since the second half of the 20th century. The paper focuses on selected app…
AntropoWebzin
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Journal of Anthropological Films
Les attaques de Boko Haram ont poussées plusieurs habitants des zones frontalières du Cameroun et du Nigeria à désertés leurs villages natal. C’est ainsi que toute la famille D’Awoudou fut décimée pendant les attaques de Boko Haram à Kolofata en 2016. …
Blangoua subdivision is the main Cameroonian window on Lake Chad. The Chari river which flows into the lake at the top of this town determines the border with Chad. The socio-cultural and economic proximity maintained by the population residing aroun…
Scrap is our future is a film made about teenage garbage collectors in Ngaoundéré, a city in northern Cameroon. This film tells an intimate story of Dembélé an orphan, which since the death of his mother in 2015, has become responsible for his own life…
“I, a Ngwazala” is a cross-examination of the Ngwazla caste of Mafa society. It gives valuable insight into the lives of blacksmiths and how their culture is currently exposed to rapid transformation. This documentary presents Zayadai our key character…
Jean Louis, a Central African living in the Cameroonian city of Ngaoundéré, is in search for a better life condition for him and his family. Ascanio is an Italian studying abroad, who is working to become a visual anthropologist. What will come out fro…
In a small village in Northern Cameroon; lives a respected Mboum head of the family with his many children. The latter practices the Yiga kaka or Cockrel diagnosis where he earns his living by making the diagnosis and curing the sick throug…
Djebba’s cabaret is the portrait of a young brewer of bilbil (Traditional millet beer). Djebba is a young woman who has trained as a teacher but has been unable to find work for 05 years. To survive in a big city like Ngaoundéré (Cameroon), she brews a…
Synopsis (English): The Oumarou family lived a nomadic way of life before settling on the outskirts of N’gaoundéré, in northern Cameroon. Change of Perspective observes how the family adapts to their new life by focusing …
Synopsis (English) : When Ammiya was 13 years old, while in her 6th year at school, her parents sent her to marriage without her consent. As is customary in the Fulani and Muslim communities in Cameroon, no one tried to stop this marriage….
There is no excerpt because this is a protected post.
Click here for the Table of Contents by Peter Murphy Featured images: T.L. Litt, Douglas Crimp, New York, 1990. (L) and Douglas Crimp, New York, 1990. (R). Images courtesy of the artist. When it was time to decide the topic for Issue 33 of InVisible Cu…
Peter Murphy, “Introduction: After Douglas Crimp” Articles Matthew Bowman, “The Haunting of Modernism Conceived Differently” Theo Gordon, “Re-reading ‘Mourning and Militancy’ and its Sources in 2022” Lutz…
SHARING TIME IN THE ARCHIVES WITH DOUGLAS Douglas and I spent some time together in the archives, but not nearly enough time, as it turned out. Losing someone brings the constant sharing of things and experiences to an end, or at least, renders it one-…
Share an anecdote or memory you have of Douglas. Or, if you had the opportunity to share anything with Douglas now, what would it be? As an outsider to contemporary art, I can only write about Douglas in Rochester: not the New York City art critic, but…