Interview: The Other Side of Algorithms: Reclaiming the Body, Voice, and Labor
A Conversation Between Nicolas Gourault & Juntao Yang
Tag: Dialogues
All The Rage: Falling Apart in the Managerial World of Tim Robinson’s The Chair Company
InVisible Culture
Exhibition Review: Between Giants and Snails: Sculpting with Wang Xu in a Time of Weathering
InVisible Culture
Exhibition Review: Off the Grid by Howardena Pindell
InVisible Culture
Land Worth Fighting For? Seeing Through the St. Louis Gateway Arch
InVisible Culture
Forgery as Method: An Interview with Winnie Wong
InVisible Culture
Sensing Diaspora and Global Currents: An Interview with Sean Metzger
InVisible Culture
Reflections on Face Value: Curating Vernacular Photography After The Material Turn
InVisible Culture
Tracing Copies: A Dialogues Interview with Paul Duro
InVisible Culture
Viewing Practices: An Interview with Tom Gunning
InVisible Culture
“I am just getting to know who my father was”
InVisible Culture
Sounds of De-Composition: An Album Review of Pharmakon’s Maggot Mass (Sacred Bones Records, 2024)
InVisible Culture
On Tears, Excess, and the Academic Conference
InVisible Culture
Fly-Fishing With AI
InVisible Culture
Exhibition Review: Scratching at the Moon
InVisible Culture
Exhibition Review: Another Beautiful Country
InVisible Culture
Exhibition Review: Isaac Julien’s What Freedom Is To Me
InVisible Culture
Music Review: Holly Waxwing’s The New Pastoral
InVisible Culture
Reading Douglas
by Xiao (Amanda) Ju I think of reading as one way to be in dialogue with Douglas, and, for me, he is such an important interlocutor. Reading Douglas has always been a bit difficult for me—part of it has to do with the fact that there is a whole set of …
Learning from Douglas: A Course Schedule
by Peter Murphy Art and the City: New York in the 1970s (Fall 2015)Monday 2-4:40PM, Morey 524Professor Douglas Crimp When I walked into the seminar room and saw the word “Cruising” projected onto the vinyl screen, I thought, with a budding sense of sat…
“All the Gay People Will Disappear”
by Benjamin Haber and Daniel J Sander The original context of the above tweet, which preceded Twitter’s introduction of threads, was part of a longer ironic statement in support of the legalization of gay marriage in the state of New York.1 Baldwin sug…
The Weight of the Posthumous: A Review of Etel Adnan “Light’s New Measure” at the Guggenheim Museum
October 8, 2021 – January 10, 2022Guggenheim Museum1071 5th Ave, New York, NY 10128 Beyond any doubt, the recent passing of Etel Adnan (1925-2021) transformed the sense of her exhibition Light’s New Measure at the Guggenheim. What started as an exhibit…
Murmurations: A Conversation Between Sarah Friedland and Tess Takahashi on CROWDS
by Sarah Friedland and Tess Takahashi Featured Image: Still from Sarah Friedland, CROWDS, Channel 1. Curator´s note by Almudena Escobar López: Sarah Friedland and Tess Takahashi have been in dialogue since they met at the “moving.media@brown” conferenc…
Choreography of the Body’s Collapse: The Anti-Capitalist Politics of Rest
By heidi andrea restrepo rhodes Featured image: “Lady reading in berth with curtains down,” Geo. R. Lawrence Co., c. 1905, courtesy of the Library of Congress. The Brooklyn-based project, Rest for Resistance centers rest as crucial to healing work (it …
The Somnophile’s Guide to Cinema: An Interview with Jean Ma
By Amanda (Xiao) Ju, Jean Ma, Patrick Sullivan, and Madeline Ullrich Featured Image: Still from Cemetery of Splendour (dir. Apichatpong Weerasethakul, 2015). Jean Ma was the keynote speaker for the 12th Visual and Cultural Studies Graduate Conference i…