Category: Multilingual

I share in this paper experiences and insights from my fieldwork in a local ethnic artist’s and media producer’s network in South-Mexico. As an attempt at transcultural collaboration, I took part in a nude photoshoot for a local photographer, as…

Pondering on the power of cultural preconceptions, this article examines the tension between self-representation and ‘representation from the outside’. Using the indigenous filmmaking practices of the Arhuaco community from Colombia as a case st…

This article aims to reflect on the challenges of participatory film projects. The text analyses the method applied in the making of the short film Ghetto PSA. The main character is Jacob, a young man who arrived alone in Italy from French Guine…

This article deals with the production process of the film PRISM. Belgian filmmaker An van. Dienderen invited Brussels based filmmaker Rosine Mbakam from Cameroon and Paris based filmmaker Eléonore Yaméogo from Burkina Faso to collaborate. Our s…

In 2014 and 2017, I accompanied the filmmakers Philipp Hartmann, Danilo Carvalho, and Helena Wittmann to the Sertão in the northeast of Brazil. In this desert-like region we gathered the material for Virar mar (2020), an experimental documentary…

Collaborative ethnographic filmmaking has been celebrated as a practice that ethically challenges the traditional relationship between the observing researcher and the observed Other. At the same time, the collaborative mode raises the question …

This special issue follows Walter Mignolo´s call for epistemic disobedience and combines it with MacDougall´s work on transcultural cinema. The films and texts of this special issue support our hypothesis that more equally balanced modes of comm…

In this article, we will explore a relationship between Patrícia Ferreira Pará Yxapy and Sophia Pinheiro through image and filmmaking. A videography of a poetic encounter between two women, one indigenous and other non-indigenous, using visual a…

We examine the meaning of shared video work and shared writing in its epistemic dimension. Our reflections are based on our own experiences of working on the video Acteal. Ten years of impunity. How many more? produced by the communications depa…

We examine the meaning of shared video work and shared writing in its epistemic dimension. Our reflections are based on our own experiences of working on the video Acteal. Ten years of impunity. How many more? produced by the communications depa…