Thirty-six Copies of the Mona Lisa

by Cindy Hwang and Hua Xi Thirty-six Copies of the Mona Lisa is a digital poem about oil painting reproductions, Chinese national identity, and Western colonialism. When my friend Hua Xi approached me in December 2018 with an opportunity to collaborate…

“All the Gay People Will Disappear”

by Benjamin Haber and Daniel J Sander The original context of the above tweet, which preceded Twitter’s introduction of threads, was part of a longer ironic statement in support of the legalization of gay marriage in the state of New York.1 Baldwin sug…

Contributors / Issue 33: After Douglas Crimp

Articles Dr. Matthew Bowman lectures in fine art at the University of Suffolk and regularly writes art criticism for Art Monthly. His research focuses on twentieth century and contemporary art, criticism, and philosophy in the USA and Europe. He has au…

Other Terms, Other Conditions

Introduction to the blog series by Endre Dányi (J. W. Goethe University, Frankfurt am Main), Clément Dréano (University of Amsterdam) and Gergely Mohácsi (Osaka University) danyi@em.uni-frankfurt.de January 3, 2022 . For quite some time now, strong voi…

After Douglas Crimp: Questionnaire

by Daly Arnett, Kendall Deboer, Bridget Fleming, and Peter Murphy Featured image: Courtesy of the Department of Art and Art History at the University of Rochester. As a special insert for Issue 33 of Invisible Culture, we are pleased to present respons…