‘We Feel Something’

On February 11, 1965, less than one year after the outset of the Brazilian military dictatorship, singer Maria Bethânia assumed one of the principal roles in the musical theater piece Opinião in Rio de Janeiro. Taking over for Nara Leão, …

Street Rhythms and the Revolution

Cuban street vendors use pregones, high-pitched rhymes and rhythms, to promote their goods and services. This ambulant form of small-scale commerce has been part of the urban soundscape since the early years of Spanish colonization. While of…

Music, Phones and Bank Loans

This article explores the making of two branded Spotify playlists to critique the concept of ‘affective labor.’ Over the last few decades, scholars have argued that social media users and creative industries workers alike are engaged in a ne…

Muzak, Lo-Fi, and Acoustic Violence

Violence, including acoustic violence, can be remarkably resistant to critique; the semiotic structures upon which scholarly arguments rely may appear, in their representationalism, to have a distancing effect from the sheer materialism of v…

Singing Wives and Oligarch Patrons

Based on extensive ethnographic fieldwork on Swedo-Russian musical collaborations, this article explores the link between popular music and the conspicuous consumption of Russia’s wealthy elite. Presenting two specific cases, one following a…