Some of the most recent articles from open access anthropology journals (beta)
Djebba’s cabaret is the portrait of a young brewer of bilbil (Traditional millet beer). Djebba is a young woman who has trained as a teacher but has been unable to find work for 05 years. To survive in a big city like Ngaoundéré (Cameroon), she brews a…
In a small village in Northern Cameroon; lives a respected Mboum head of the family with his many children. The latter practices the Yiga kaka or Cockrel diagnosis where he earns his living by making the diagnosis and curing the sick throug…
Jean Louis, a Central African living in the Cameroonian city of Ngaoundéré, is in search for a better life condition for him and his family. Ascanio is an Italian studying abroad, who is working to become a visual anthropologist. What will come out fro…
“I, a Ngwazala” is a cross-examination of the Ngwazla caste of Mafa society. It gives valuable insight into the lives of blacksmiths and how their culture is currently exposed to rapid transformation. This documentary presents Zayadai our key character…
Scrap is our future is a film made about teenage garbage collectors in Ngaoundéré, a city in northern Cameroon. This film tells an intimate story of Dembélé an orphan, which since the death of his mother in 2015, has become responsible for his own life…
Blangoua subdivision is the main Cameroonian window on Lake Chad. The Chari river which flows into the lake at the top of this town determines the border with Chad. The socio-cultural and economic proximity maintained by the population residing aroun…
Les attaques de Boko Haram ont poussées plusieurs habitants des zones frontalières du Cameroun et du Nigeria à désertés leurs villages natal. C’est ainsi que toute la famille D’Awoudou fut décimée pendant les attaques de Boko Haram à Kolofata en 2016. …
There is no excerpt because this is a protected post.
Click here for the Table of Contents by Peter Murphy Featured images: T.L. Litt, Douglas Crimp, New York, 1990. (L) and Douglas Crimp, New York, 1990. (R). Images courtesy of the artist. When it was time to decide the topic for Issue 33 of InVisible Cu…
Peter Murphy, “Introduction: After Douglas Crimp” Articles Matthew Bowman, “The Haunting of Modernism Conceived Differently” Theo Gordon, “Re-reading ‘Mourning and Militancy’ and its Sources in 2022” Lutz…
SHARING TIME IN THE ARCHIVES WITH DOUGLAS Douglas and I spent some time together in the archives, but not nearly enough time, as it turned out. Losing someone brings the constant sharing of things and experiences to an end, or at least, renders it one-…
Share an anecdote or memory you have of Douglas. Or, if you had the opportunity to share anything with Douglas now, what would it be? As an outsider to contemporary art, I can only write about Douglas in Rochester: not the New York City art critic, but…
Motherly Lessons I attached a longer, unedited version of the following text to an email I sent to Douglas on December 12, 2018, while he was undergoing radiation treatment. He was not well, and I hoped it would convey the extent of my love and gratitu…
Answer Louise Lawler’s question in October: “What would Douglas Crimp say?” Or, to follow the title of Lawler’s exhibition: Why Pictures Now? Pictures, for me, always—pictures, and poems (which hold on to ambiguity in the same way that pictures do). Pi…
VCS in the 90s It’s now thirty years since I arrived in Rochester, taking over as VCS director from Mieke Bal in the program’s second year. I think I am right in recalling that Douglas came the following year – 1992. Michael Holly as Chair …
HOMAGE, a score for Douglas* Stand tall, feet together, feet apartSmile slightlyWalk in a circle around yourselfContinuing walking, marking a square perimeter around the circle you just madeStop whenever you feel like stopping Stand tall, feet together…
Mourning and Proximity in a Bad Time The last time I spoke to Douglas it was the week of my birthday. I had a lot to tell him: not only about the birthday party I’d thrown for myself but the trip I was about to take, with a former student of his who’d …
Share an anecdote or memory you have of Douglas. Or, if you had the opportunity to share anything with Douglas now, what would it be? In late August 2015 Douglas sent me a text message asking if I was back in Rochester from our summer recess. Douglas h…
Douglas Douglas’s loving friendship over the past 25 years has helped to shape the person I am today. In 1994 I was a junior curator at the newly established Museum of Contemporary Art, Sydney. We’d decided to program around the annual Sydney Gay &…
Answer Louise Lawler’s question in October: “What would Douglas Crimp say?” “I love Louise!” Imagine an alternative space to museums. Describe what this space might look like. As I translated Douglas’ essays into French, I tried to imagine the alternat…
Answer Louise Lawler’s question in October: “What would Douglas Crimp say?” Or, to follow the title of Lawler’s exhibition: Why Pictures Now? We could call it, “Why No Pictures Now.” Louise Lawler’s contribution to the section commemorating Douglas Cri…
Imagine an alternative space to museums. Describe what this space might look like. A city (for us, probably New York City) A stage A dinner party Share an anecdote or memory you have of Douglas. Or, if you had the opportunity to share anything with Dou…
Zheng Bo grows weedy gardens, living slogans, eco-queer films, and wanwu workshops to cultivate ecological wisdom beyond the Anthropocene extinction. Click here to return to the other questionnaire responses.
His voice Douglas Crimp (1944-2019) One of the last conversations I had with Douglas touched on the question of one’s own voice in a public text. It was not about one’s own voice in the sense that is audible from any writing—even there…
by Xiao (Amanda) Ju I think of reading as one way to be in dialogue with Douglas, and, for me, he is such an important interlocutor. Reading Douglas has always been a bit difficult for me—part of it has to do with the fact that there is a whole set of …