Reading Douglas

by Xiao (Amanda) Ju I think of reading as one way to be in dialogue with Douglas, and, for me, he is such an important interlocutor. Reading Douglas has always been a bit difficult for me—part of it has to do with the fact that there is a whole set of …

Manhattan-Hanover Transfer

by Lutz Hieber and Gisela Theising We got to know Douglas Crimp, maven of New York AIDS activist art, in the summer of 1990. He seemed to us to be the living embodiment of an intellectual. Jean Paul Sartre describes intellectuals as being concerned wit…

The Haunting of a Modernism Conceived Differently

by Matthew Bowman Another Modernism Douglas Crimp’s exceptional reputation as an art critic is, of course, in many respects intertwined with his early theorization of postmodernism within the context of fine art. Especially important in this context wa…

Learning from Douglas: A Course Schedule

by Peter Murphy Art and the City: New York in the 1970s (Fall 2015)Monday 2-4:40PM, Morey 524Professor Douglas Crimp When I walked into the seminar room and saw the word “Cruising” projected onto the vinyl screen, I thought, with a budding sense of sat…

Thirty-six Copies of the Mona Lisa

by Cindy Hwang and Hua Xi Thirty-six Copies of the Mona Lisa is a digital poem about oil painting reproductions, Chinese national identity, and Western colonialism. When my friend Hua Xi approached me in December 2018 with an opportunity to collaborate…

“All the Gay People Will Disappear”

by Benjamin Haber and Daniel J Sander The original context of the above tweet, which preceded Twitter’s introduction of threads, was part of a longer ironic statement in support of the legalization of gay marriage in the state of New York.1 Baldwin sug…

Contributors / Issue 33: After Douglas Crimp

Articles Dr. Matthew Bowman lectures in fine art at the University of Suffolk and regularly writes art criticism for Art Monthly. His research focuses on twentieth century and contemporary art, criticism, and philosophy in the USA and Europe. He has au…