Rawa-Nore gifting

This article comprises a rethinking of Mauss’s The gift, reciprocity, and exchange theory in anthropology, using theories of chaos and complexity to make sense of the author’s ethnographic data from Papua New Guinea. The article begins with an explanat…

Pauses and flow in art making and ethnographic research

I examine my dual role as artist and ethnographer in the creation of artworks including mixed-media paintings and installations. Drawing from four works that combine art making and anthropological research, I present, from the perspective of anthropolo…

Body art: Living in and leaving the body behind

Body painting uses a three-dimensional living canvas. While a widespread activity that can be characterized as a creative cultural scene, it has not yet merited anthropological attention. Even though body painting is closely related to the body, it is …

Meeting grounds: Art and anthropology in the Everglades

This article considers issues raised while working at the intersection of anthropology and visual art in Everglades National Park and during the months that followed. Based on a May 2019 residency as an AIRIE (Artist in Residence in Everglades) fellow,…

An exhibition in fieldwork form

This is an exhibition of fieldwork art adapted to the page. It is set out following the typical stages of an anthropological research project and presents works that were both made through fieldwork and exhibited as art. The strategy is one of “blendin…

Raw fear in Hong Kong

This article rethinks the politics of fear through the researcher’s ethnography in Hong Kong. Fear is often explored as a tool of manipulation that disempowers people. In contrast, the bodies, subjectivities, and actions of the fearful people are rarel…