Filming as being, images as evidence

When is film taken as evidence of the past and of truths in the world and when does the content become less significant than the practice of making images itself? The meaning of moving images change as the material and cultural logics and technologies …

Towards a critical ethnography of political concepts

This special section approaches “politics” from a specifically ethnographic point of view. It does this by privileging ethnographically derived political concepts rather than more familiar preestablished and supposedly universal categories of political…